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Prior to the mid- to late nineteenth century, Hopi Indian's geographical remoteness precluded sustained local trade with Anglo traders.The earliest Hopi Indian metal ornaments were usually items salvaged from discarded brass bullet cartridges and copper wire.Commercialism influenced Navajo jewelry-making as early as the 1910s and 1920s, when Indian Traders and railroad vendors, such as the Fred Harvey Company, offered incentives The pueblo of Zuni Native American Indians is located in western New Mexico (south of Gallup) near the Arizona border.Jewelry-making is the major craft industry of the village.Zuni Indian Drilling Turquoise, 1930However, early Zuni Indian jewelry-making efforts often took the form of collaborations between Navajos and Zuni Indians, in which a Navajo smith would cast a silver piece-by sandcasting or another method-and a Zuni Indian lapidarist would set in the stones. Wallace, who stimulated sales and new directions for Zuni Indian jewelry.Zuni Indian was also the site of much Indian trader. At the start of the twentieth century, beadmaker Zuni Indian Dick was well known for teaching turquoise grinding and shaping for personal adornment, and he often appears in the photographs of visiting ethnographers and recorders of life in Zuni Indian Pueblo.Lapidary work increased during the 1890s; more and more Navajo pieces were set with clusters of turquoise as this material became more available from regional mines, and heavy pieces with well-balanced decoration developed with late nineteenth-century jewelry.

The availability of turquoise and silver, together with better silver working tools, enabled craftsmen to supply the growing market among Indian traders and tourists who were arriving in droves by railroad to visit the Southwest.The earliest Hopi Indian silver jewelry was little different from Navajo and Pueblo work.Hopi Indian's lack of traders and distance from sizable towns and cities made the economics and promotion of such works difficult, particularly once the Great Depression started in 1929.The number of Zuni Indian men and women engaged in silversmithing and lapidary work steadily increased as the twentieth century progressed.

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There is documentation to support the belief that one silversmith, Keneshde, was the first Zuni Indian to set turquoise on a piece of silver jewelry around 1890.In the mid- to late 1930s, Hopi Indian jewelry was promoted and championed by the Museum of Northern Arizona in nearby Flagstaff.The publication of Frank Waters's The Book of the Hopi Indian (1963), reignited non-native interest in the Hopi Indian world-view, with its descriptions of legends, rituals, and ceremonies.The first silversmith Sikyatala of Walpi (First Mesa), learned the process from Lanyade after visiting him in Zuni Indian around 1898.